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Vladimír Šlapeta and Susana Tejada, Curator of the Darwin D. Martin House (J. Quinan)
Fiercely determined to research the papers of the distinguished
Czech engineer, Jaroslav J. Polivka in the UB Archives, and to see the Darwin Martin House, Vladimír Šlapeta traveled from New York’s upper
West side to La Guardia airport at 5 a.m. Monday morning only to be rebuffed by
weather conditions in Buffalo. The following day he tried again at 5 a.m. to no
avail. Finally he arrived after delays of two and a half hours on Thursday
morning and was sped to the archives for an abbreviated stay. Such is the life
of a distinguished scholar and world-renowned historian of Czech and European
architectural modernism.
Vladimír Šlapeta, Honorary Fellow of the AIA, was Head of the
Architecture Collection of the National Museum of Technology in Prague from
1973-91, where he organized a series of exhibitions: The Brno Functionalists in
Helsinki, 1983; Czech Functionalism 1918-1938 at the AA in London; and Czech
Cubism at the Cooper-Hewitt Museum in New York and the Canadian Center for
Architecture in Montreal. After the Velvet Revolution in 1989 he became Dean of
the Architecture Faculty in Prague from 1991–97 and from 2003-2006, and later
in Brno from 2006-2010. He is a Fellow of the Akademie der Künste in Berlin, where he served as Deputy Director of the
Architecture Department from 1997-2006. He is the author or co-author of more
than 30 books on architecture.
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Czechoslovak Pavilion, New York World's Fair, 1939 |
Why the intense interest in Polivka, and why Buffalo? Born in 1886, Polivka rose from humble
beginnings to become one of the great modernist engineers in Europe. After
serving in the Austro-Hungarian Army in World War I he opened an office in
Prague and developed photo-elastic stress analysis, a way of studying the
stresses in reinforced concrete structures through passing light through clear
plastic building models. This and other
innovations led to Polivka’s selection as engineer of the Czechoslovakian
pavilions at the Paris Exposition in 1937 and the New York World’s Fair in
1939.
With the Second World War looming he decided to remain in
the United States where he first became a professor of engineering at U.C.
Berkeley and later established a private office. An admirer of Frank Lloyd
Wright, Polivka offered to help Wright with the engineering of some of the
architect’s most prominent late buildings and projects including the Guggenheim
Museum, the research tower of the Johnson’s Wax Company, and the famous (or
infamous) Mile High Illinois Building of 1956. Alas, Wright was painfully slow to reward Polivka for his services.
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Wright (left) and J.J. Polivka (Photo: University Archives, State University of New York at Buffalo) |
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Research Tower, Johnson's Wax Company, Racine, WS 1937 (Photo: David Daniels) |
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Solomon R. Guggenheim Museum, N.Y., 1943-1959 |
Polivka kept extensive records of his dealings with Wright
including letters, photographs, and sheets of calculations for the Guggenheim’s
spiral structure. These documents came to the UB Archives when, in the 1980s,
Katka Hammond, Polivka’s granddaughter, a resident of Buffalo, persuaded her
mother and uncles to donate them to UB, thereby considerably enriching the University’s
holdings of Frank Lloyd Wright documents.
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Vladimír Šlapeta in the pergola of the Martin House (J. Quinan) |
[Thanks to Katka Hammond and Max Wickert, Susana Tejada, and Barry Muskat]
1 comment:
Fascinating! Thanks, Jack!
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